Rob Adams a Painter's Blog painter's progress

July 1, 2024

Through the Looking Glass

Filed under: Art History,Artificial Intelligence,Uncategorized — Tags: — Rob Adams @ 6:26 pm

There is a type of dystopia where most the citizens are happy and believe their dystopia is an utopia. If it’s literature then the rebel gets subsumed or brainwashed, or in the sci-fi world a lone rebel fights back and brings the system crashing down. The result is presumably that the ignorant masses can now live in a miserable but newly aware state. So is the Ai revolution taking us to Big Brother? The press and pundits would love this to be true. Or do we already live in a dystopia and Ai will open our eyes to the fact?

I suspect the answer is both of the above. We love opposites, they are easy, black and white good and evil, binaries are beautiful. However we live in a world of ever changing greys where a bad act can have a good result and a good one can pave that path to hell.

Ai has already changed our appreciation of images. many now view any image with suspicion. This is maybe a good thing, illusory images have always been used to tell lies. To sell religious myth and to gild the reputations of the powerful. This is only one side of the mirror though. They have also been used to tell stories of beauty and delight, of poetry and wisdom. Most of the deluge of images produced by Ai have amost no story to tell. Some are interesting and striking but they are few and far between. After a while you recognise all the different types of image. The Robots, monsters, heroes and heroines are all cut from the same cloth.

On the other side of the coin there are those who are obsessed with what they imagine to be realism. They mean photographic of course, the goal is an image that is indistinguishable from a genuine photo. What you do after this goal is achieved is unclear. I have no interest in the fake photos… advertisers however are rubbing their hands at the thought of no model or photographic fees. Hollywood is also preparing to jump in. With Ai you will very soon be able to make films with dead actors. John Wayne may ride across the prairie again, Marylyn Monroe might star in a sci-fi flick. Their joy will be short lived though. If the present arc of advancement continues you won’t need a studio, actors, writers or any of the enormous crews. You will suggest a story, pick your actors and an hour or so later your movie will be ready to watch. If you think it will be terrible, think again, the models will be trained on all the greatest movies. The Ai ones may not be Oscar winners but they will be more watchable than most of the trash released in a year.

For now though I was happy to play with this new toy. I tried mixing styles and subjects… not so easy as they need to be balanced. I found different ways of getting what I wanted rather than what the Ai gave me. I also made videos of my discoveries which became strangely popular for basic screeen captures with me gabbing in the background. Here’s a few of the more deranged images I made.

It is very good at baroque madness. The hard bit is controlling the composition and getting things in places you wish. This was done with a hand drawn depth map.

This is an example of the more unstructured random output. For this I input a series of conflicting images. Baroque buildings and paintings mixed with fractals I’ll put a few of the images below and you can try to work out what influences they had!

I even remade one of my old illustrations… I got increased finish but less charm.

It is very good at the generic. So horror, sci-fi and of course Steampunk.

Then there are the Ai people, they don’t come in very many varieties. The girls are sexy and the guys are musclebound.

The above demonstrates a point in my earlier post. There is no personal style in the Ai world. One thing I wanted to manage was an equivalent of my pen and ink style. So far this has been impossible… I don’t know whether to feel pleased or frustrated! Below is as near as I got.

I think that is enough about Ai for now. I might return to it as changes are happening at breakneck speed.

May 13, 2022

How to make art

Filed under: Dorset,How to do,London,Painting,Satire,Thames,Uncategorized — Tags: , , , , , — Rob Adams @ 1:49 pm

Just as the Pandemic is dying away some chap in Russia, who was born a bit shorter than he would have preferred, decides world war three might be a good idea. History is just one damn thing after another. Still I am going back to writing about the important subject of art and explaining why I don’t understand it. For those who live in the South West of the UK I have open studios in the coming weeks. So I am now entirely stressed out with the preparations.

I have done a few how to do’s for drawing and painting in earlier posts. I know many, when seeing my own paintings, will wonder how I have the cheek, being mostly self taught and what is worse painting things that your great granny might like. However in one area, Fine Art or Contemporary Art, whichever moniker you prefer, I am officially qualified and have a bit of paper to say so. Looking back I have woefully failed to cater for those with a more traditional avant-guard bent.

So here is my ‘how to do’ for all those hoping to get an exhibition in the White Cube, be picked for the RA Summer show, or if very ambitious get on the shortlist for the Turner prize.

So firstly your back story. Do you have a good one? Are you a child of disfunctional parents who brought you up on an uninhabited rock in the North Atlantic? O maybe you were adopted by chain smoking badgers on the outskirts of Luton? If so you don’t need to read on, just do any old thing and they will lap it up.

However if you are a pleasant middle-class person who went to a good school, but alas wasn’t bright enough to go to university, not especially good looking and crap at sport to boot, then I bring hope. Even though they like to give the impression that they are agonised and marginalised, most artists are in that category and spend their evenings drinking fizzy wine and watching Game of Thrones whilst eating a Waitrose ready meal.

So painting first, though it is important that you remember that any or all of the categories below can be mixed together, so you could do a painting on a video monitor for example. For your video running underneath you could use film of an abattoir, something shocking or ironic, someone wallpapering a room with copies of the Financial Times whilst wearing a tutu.

If you are determined to do a proper canvas job then here are a few guide lines. Firstly make it big, no one looks at small pictures in or out of frames, there is nothing like the category “small abstract” to make you into an amateur no hoper. Box canvasses are out too it takes longer to do the edges that it does to do the bloody front and no one will ever take you seriously.

I feel it is better if you have no skills whatsoever as they will only get in the way. Next you have to isolate what “quirk” you are going to have. We all know about elephant poo, but really anything will do. It needs to be be trait with an edge: used cat litter embedded in thick paint would tick a few boxes used cats would be even better, but it’s best not to annoy pet lovers. Shock, disgust etc is vital. How you apply the paint can be made an issue too, though it is hard to come up with ways of getting the paint on the canvas as most have been already covered. You could put tubes of paint sandwiched between two canvasses through an old fashioned mangle so they squish leaving the tubes embedded… not seen that one done, you would get 2 paintings for the effort of 1. Don’t do steam rollers as that is passé as is any wheeled means of applying paint, roller-skates bicycles, lawn mowers… best not.

Harder is the “serious painter” category. We are in Rothko territory here and I really would advise against it. You have to do the same tedious thing again and again for decades. It is only when people spot that you have been painting brown stripes in a damp basement for three decades that they decide you can only have been doing that because you are very deep and driven. You then get labelled “important” and are given a retrospective at the Tate Modern a few weeks before you pop your clogs. The art world would really prefer you topped yourself before being discovered, as that makes a better story.

You can of course do a lot with a title such as “Dyspeptic Turtle no 351 (untitled 62)” The important thing here is that the canvas must have no hint of turtle in it. Just splash the stuff on thick in contrasting colours and give it a quick scrape around with a squeegee. A good trick here is to do a rough Artex coat underneath then it looks like you have spent ages building it up in agonised, compulsive and laborious layers.

If you are very, very bad at drawing then perhaps portraiture could be your thing. Do the old rough claggy canvas thing first then get a 6 inch brush and some contrasting paint and do a quick cartoon of your mate. Then do three more in different colours over the top of the first one. If unfortunately it still looks slightly like a face then turn it upside down or set fire to it a bit.

Right that’s traditional media out of the way. Now for the fun stuff. I’ll do it in categories, but remember you can mix them up together.

  1. Film or video. This has got more difficult as cheap cameras have got better. In the old days a grainy old VHS of someone doing something meaningfully ironic would do the trick. Standing naked while repeatedly pouring baked beans over your head while singing Son of My Father by Chicory Tip sort of thing. Being incongruous is the trick, try writing random identities, actions and objects down and pulling them out of a hat in threes. So you might end up with a bishop ironing fruit in a skip. The important thing is that it be very badly framed and shot, you can use a filter in iMovie to add the grain afterwards.
  2. Assemblage. This is just getting any old stuff and putting it into a gallery. This is just so easy that the category has become rather overpopulated. So what people have taken to is making things out of other things. A big model lamb out of empty mint sauce bottles or some such. It could be be nauseously worthy like a blue whale out of recycled bottles or ironic like a huge Barbie doll made up entirely of cosmetic packaging. I know this needs skill but if you have the dosh there are companies out there that will make your art for you which is a lot less effort. Some will even think it up for you as well which gives you more time for being an artist and going to parties.
  3. Make something of the wrong stuff. With this you just carve a fishfinger, your car keys, or your false teeth out of marble, or cast them huge in bronze. If you can’t afford marble, then lard or frozen horse urine. It is best if you get experts to actually make whatever it is, as this takes skill. Don’t worry, as it is you that tells them to do it it is “your” art not theirs, the act of genius was thinking it up after all.
  4. Performance. The important thing here is that it should not be at all interesting. Just stick your telly and sofa in the gallery and watch box sets of Downton Abbey for a week while dining on pot noodles. Or get a washing machine and wash crockery so it gets smashed up on the spin cycle. You could then make a heap the resulting of bits that could become a saleable sculpture afterwards.
  5. Text. Just write something on the wall, use mud or chilli sauce, anything really. What you say is unimportant, just one word, like “moist” or an ironic phrase like “lonely with you”. As this can take skill you could get a signwriter to do it for you. You can of course just stick an A4 typed description of the work you might make and stick that on the wall, or even take that a stage further and just declaim out loud that you will in due course type out a description, thus combining performance with text.
  6. Photography. Here the photograph doesn’t matter other than it should not of course be well framed or interesting in any way. Just print it very very big.
  7. Combinations. Here we can really go to town. Mix it up! Paint the word “embarrassed” on a plaque of frozen Prosecco with maggots and car keys embedded in it. Attach it to the gallery wall then video it as it melts. If you put a canvas behind it and along the floor the resultant slurry will become a painting. So you get a performance piece, a painting and a video work. You could also write a description of the process as a text piece.

I hope this very brief run through the possibilities helps people who want to be artists, but don’t really have that much time or ability. Remember to never be modest or self depreciating in any way. The work must be anguished and torn from your inner core, or at the very least world weary and ironic.

Some are no doubt at this point wondering, why bother? The attraction is not money or fame. It is just that at parties when the dreaded, “what do you do” question is asked you can reply, “I am an artist.” This instantly gives you status and also tends makes people forgive your less appealing social traits, poor personal hygiene and overall intellectual dullness. You no longer need to worry about dressing badly or washing, as all these traits only add to your anguished artiness. It is just about the only profession you can join by just be saying you are one rather than actually having to do or learn stuff. Well you can just say you are a brain surgeon at parties, but you might be unlucky and say it to a real one. The great thing with the artist thing is that any other artist you encounter will be blagging too, so they won’t blow your cover.

You will of course at some point be challenged. Here is where contemporary art comes into its own. You can just advise that if they really try and open themselves up to their inner feelings they will begin to understand your work. You can kindly say that you know that what you do can be too “difficult” or “challenging” for the unsophisticated to understand. This leaves them with the problem of potentially admitting, to themselves or worse others, that they are shallow, lack depth and are culturally ignorant to boot. Most will retreat.

Whew! Well that is the hard ideas based concept driven work covered. As I don’t have any hidden depths myself and am not particularly anguished by the human condition other than my own decline, I have to just paint landscapes and other easy obvious stuff. I just hope that my work isn’t cutting any edges or, by some ironic quirk of fate, in danger of becoming an unexpected brand new cutting edge.

Now you are all clear on that, here are some more paintings.

A corner of a muddy field with Hambledon Hill in the background. The sort of scene that I love painting but will never see a frame. Quiet brown paintings of nothing in particular are not big sellers! Oils.

It is always a thrill to find a view you didn’t know about. This view of Fontmel Magna was hidden away down an alley. Very wintery and a bit chilly, I shall venture back at different times and seasons. Oils.

Swanage on a flat grey day. With water you always have the possibility of a decent picture on any day. Oils.

Child Okeford in Dorset where I reside has an amazing selection of green lanes, roads that never quite made it into the public road system. Some are very ancient, or so they say, since no one has actually dug one up to see, the experts are actually just guessing. I would like them to be right though. Oils.

A commission I very rarely do these, but I was missing days painting by the Thames a bit so I agreed to do this one of Henley. It was amazing how once I started memories of the day painting with the Wapping Group came back to me. 16in by 20in Oils.

The view from the Russell-Cotes Museum in Bournemouth. Full of mad bric-a-brac and paintings of dubious taste. I sketched this out in pencil on a board as they don’t approve of oil paint on the soft furnishings. Oils.

I enjoyed my day in Bournemouth, I enjoy walking a town to see what it has to offer. I took my hand held box so I could only paint little square ones. 6in Sq Oils.

Another small one, this is Bath rd in Bournemouth. 6in sq. Oils.

The Pier at Bournemouth again. Amazing how the different direction of the light changes the mood. These take about 20min each. I actually set my phone to time me so I don’t go on too long. 6in sq Oils.

Wareham. The Church St Martin’s on the Walls is Saxon and was built on the earth bank that surrounds the town. There is only one way to paint this view, you have to be parked on the very last parking space before the yellow lines. So this was my lucky day, my car now has paint on the steering wheel. 6in Sq Oils.

A frosty morning near my house. The frost was still in the shadows but gone from elsewhere making great warm/cool contrasts. I have been enjoying painting hand held, it gets a lot easier with practice but I wouldn’t paint anything bigger that 8in sq. This one is a comfortable 6in sq which is fine. Oils.

I hope to get back to posting once a month again, it is silly but blogging does spur me on to paint, funny how the mind works.

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