{"id":31,"date":"2010-06-24T18:25:46","date_gmt":"2010-06-24T17:25:46","guid":{"rendered":"http:\/\/www.treeshark.com\/treeblog\/?p=31"},"modified":"2014-03-26T19:37:46","modified_gmt":"2014-03-26T19:37:46","slug":"watercolour-sketchbooks","status":"publish","type":"post","link":"http:\/\/www.treeshark.com\/treeblog\/?p=31","title":{"rendered":"Watercolour Sketchbooks"},"content":{"rendered":"

Here is an area where I really should do more. In the 90’s I always took a small watercolour sketch book and paints with me when I went anywhere special. However when I started to do acrylics and now oils the load became greater. Canvas, easel, paint, stool, brushes and thinners not to mention sundry rags, rulers, drinks and cameras. The watercolour bag just became one too many things and my knees were complaining as I toiled along the coast path. To put this right I’ve built myself a pochade box (I couldn’t find one I approved of so I had to build one myself.) which holds most of what I need and fits on to my lightweight camera tripod. So the watercolours can be reinstated.
\nThe lovely thing about the sketch books I produced in the 90’s was the way in which they provided a pictorial diary which still brings me pleasure when I leaf through them. Memories of places and people come flooding back.<\/p>\n

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My late mother sitting painting. An onlooker might have thought we were not enjoying ourselves as plenty of \u00a0muttered expletives could be heard as\u00a0we worked and hit snags. Watercolour no matter how experienced you are carries a very high possibility of failure. On the other hand if you pull it offn\u00a0there is no fresher way to record a scene. I’ve made these as near as I can to actual size none took more than an hour and most\u00a0only half of that.<\/p>\n

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Here is what we were painting. I had finished mine and then turned to paint my mother. The back\u00a0is inscribed Jumilhac\u00a0La Grand. So France then.<\/p>\n

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Church of Santiago in Villafranca in Northern Spain. One of the last holidays I took with my parents\u00a0when they were getting quite elderly. We travelled all across Galicia ending up in Santiago Compostela.\u00a0Like a pilgrimage but with no religion and much less walking. We saw this little church in the day but\u00a0the light was too flat, so I walked up in the evening to paint.<\/p>\n

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Here is our destination, Santiago. This was a fiendish subject, with the light changing rapidly and in the\u00a0full public gaze. One little boy watched the whole process commenting in Spanish as I progressed.<\/p>\n

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Round at the back door of the cathedral. There were bagpipers making a tremendous racket and \u00a0I was again the subject of much interest.\u00a0Mostly I don’t mind if people come and look, but I hate the ones who saunter round pretending they are not interested then suddenly\u00a0appear at you shoulder… alas it is the English who seem to make their approach in this manner, most other Europeans are refreshingly\u00a0direct. Americans try to buy your painting and don’t understand when you won’t agree. One such lady with fearsome spectacles took a\u00a0sneaky photo\u00a0when I refused to sell my sketch and declared, “Well now I got it anyhow!”<\/p>\n

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Very tiny sketch I found recently. No idea where it is, if anybody recognises it let me know… in Worcestershire\u00a0I’m guessing.<\/p>\n

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Well hopefully the next post with watercolour content will contain new paintings. I’m off to beautiful Pembrokeshire soon so I should have no excuses.<\/p>\n

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