Rob Adams a Painter's Blog painter's progress

January 8, 2012

A Wet and Windy Yule

Filed under: Ireland,Painting,Wales,Watercolour — Rob Adams @ 6:03 pm

For many years I have visited old (and patient) friends at Christmas who live in an iron age roundhouse in the Burren in the far West of County Clare. The landscape is bleak and beautiful in the winter months but very hard to paint. Last year was all frosts and cold, but this one was all wind and rain. Either of these are possible to paint in but both at the same time are more or less impossible. The best I have managed for the most part is to paint a sketch from the car with the windscreen wipers going. The oils were all rained off half done, so this post is watercolours. Only a few got finished wholly on site, the humidity making drying a bit of a trial. On a couple I was driven to putting the car heater and fan on full blast in order to dry my initial washes. Those are the downsides, but the upside is that the dramatic storms brought some wonderful moments where cloud sun and landscape all contrived to put on a show. These fleeting subjects are almost impossible to paint plein air so photos are needed for reference, though I try to paint from them very soon after taking the picture, somehow unless the photo is very good the essence gets forgotten. The first few are from Wales where I stayed on my way over to Ireland. Some pictures can as usual be clicked for a larger image.

 

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Watercolour, Wales, Newport, sea, painting, Rob Adams

 This is Newport Pembrokeshire which has a wonderful long beach with this rocky area ti the northern end. It was very windy with the light going over when I took the reference photo for this. I reduced my palette to only three colours for this to enhance the silvery mood, Ultramarine, Quinacridone Gold and Venetian red to darken the Ultramarine to grey. 14in by 11in.

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Pembrokeshire, Wales, Watercolour, painting, Rob Adams

A small 7in by 5in sketch. This is Strumble Head near Fishguard. The lighthouse nearby looked fantastic but no chance of painting it as the wind was really wild. This was done from a sheltered bit down the cliff. At least the wind was doing a good job of drying for me. Looking at this compared to the oils in my last post I can’t help feeling that my watercolours are still a way ahead of my oils, in catching the mood of the sea at any rate.

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Newport, Pembrokeshire, Wales, Rob Adams, watercolour, painting, plein air

Another small 7in by 5in, my small sketch book was the easiest to use as the wind was still a bit frisky! This is a view that I have painted many times but I never mind that, the light always brings a new mood. Only three colours again, Naples Yellow, Venetian Red and Ultramarine.

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Pembrokeshire, wales, watercolour, painting, Plein air, Rob Adams

This is Cwm yr Eglwys on the North side of Dinas head. The south side of the head was blowing a gale but oddly here on the North it was still and I could sit and paint without holding on to everything for dear life. 7in by 5in again.

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Pembrokeshire, Wales, watercolour, painting, plein air, Rob Adams

This is Ceibwr Bay, the wind was so fierce I had to paint from the car, which in turn had to be positioned in a precarious and probably illegal position. The light was superb raking over the cliffs from inland. In my middling sketch book which is 9in by 7in.

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Nore, Inistioge, Kilkenny, Ireland, Watercolour, Painting, Rob Adams

A bridge over the river Nore near Inistioge in Kilkenny. After a night crossing I slept for a while in the car and this was my morning view. This area is criss crossed with beautiful rivers and very rich in subjects. I must make a longer visit sometime in the near future. From photo ref 14in by 11in.

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Clara Castle, Kilkenny, watercolour, painting, Rob Adams, Ireland

I think this castle is called Foulksrath Castle, often when I take photos I have an idea which are possible paintings but in the event it is often other quick snaps that take the eye when going through them later. In Kilkenny I think, 14in by 11in.

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Burren, County Clare, Ireland, watercolour, plein air, Rob Adams

A moment of dry allowed me to get out. These are so called erratic boulders in the Burren. I have painted these almost every visit for 20 odd years! 9in by 7in.

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Dysert, Clare, Ireland, Watercolour, plein air, Rob Adams

Dysert O’Dea castle. Another brief remission in the rain allowed me to sit and paint this. It took nearly 2 hrs due to drying time. 9in by 7in.

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Finvarra, Galway, Ireland, watercolour, Rob Adams, Painting

A causeway near Finvarra. I sketched this out from my car window then painted it in the warm and dry! 9in by 7in.

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Galway, watercolour, painting, Rob Adams, ireland

Dramatic light in Galway City, I had to take shelter a few minutes after snapping the photo for this! 7in by 5in.

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ireland, Clare, watercolour, Painting, Rob Adams

East Clare track. In the east the ground turns to clay and sandstone giving a different character to the landscape. Done from a photo on a very wet

afternoon! 14in by 11in.

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Clare, Burren, watercolour, painting, Rob Adams

In contrast here is a road in the west on the limestone. Another wet day’s entertainment… 14in by 11in.

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Sea storm, Black head, clare, watercolour, Rob Adams

This is Black Head on the edge of the Burren. No chance of plein air… I could barely stand up and my new hat, given for Christmas, was whisked off my head and blown out to sea! I would have liked to stay longer and taken more photos but it was just too uncomfortable. 14in by 11in.

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Burren, Clare, Ireland, watercolour, Rob Adams

Another “out of the car window” job. Even so I had to do a fair bit afterwards. This a very typical road in the less rocky bits of the Burren. 9in by 7in.

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East Clare, Lough Derg, watercolour, plein air, Rob Adams, ireland

This is Mountshannon on the shores of Lough Derg. Painted with the windscreen washers going to clear the constant drizzle 7in by 5in. That’s all for now there are a few oils in varying states of rainedoffness to come but despite the poor weather I am quite pleased at the results. It just goes to show there is no bad weather for painting and though unpleasant it brings moods that are worth attempting to capture.

January 16, 2011

Getting the year underway.

It’s always a little difficult getting painting again after being away, especially after being spoilt by wonderful subjects every way I turned. I wish I was organised enough to set a program of work, goals to be achieved, new techniques to be mastered etc, but I ain’t so there it is. My first thing to try was to paint some studio watercolours from the many photos from my trip to Ireland, with the thought in mind that I should get some done while the feeling of being there was still fresh.

Every painting is started with a feeling of expectation and a certain overconfidence, as you start to work this is certain to fade alas as the reality of how damned hard it is and how inadequate you are for the task sinks in. It is astonishing that you can so forget this uncomfortable truth that it comes as an unpleasant surprise each time. However as you wrestle with the thing you start to get in control of the process and then if all goes well the painting starts to take on a bit of life independent of its creator… unfortunately the artist will then become too full of himself and proceed to throw away all the gains by overdoing the whole thing and killing it dead. Ah well enough complaining here’s the last few day’s output.

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Watercolor, watercolour, painting, Ireland, eire, clare

This is one that really put me through the mill and was nearly abandoned. I made the error of laying in the first wash that underlay the shrubbery in too pale a tone and too neutral a hue. This proceeded to haunt me throughout the painting, I knew I had a good chance of fixing it at the end but in the meantime I was stuck with the whole thing looking terrible which was a little disheartening. It was a nervous moment when I finally came to lay in the final unifying washes with wide flat brush. The original picture was wider than the crop above and I am now unsure which is better so I’ll put the wider below so you can judge for yourselves. Both are clicky for larger image

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Clare, Ireland, watercolour, watercolor, painting

This is a wee bit better for colour too.

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Clare, Ireland, Watercolour, watercolor, painting

Another view of the great Christmas frost! This was entirely painted with a one inch flat sable, even the thin lines are just done with the corner. Fun to do and a nice simple composition with the cold and warm separated almost on a diagonal. I have since slightly softened the branches on the main tree. It was only after looking at it on screen that I felt they were too prominent. I often find this, that the screen image makes you see it afresh and errors or possibilities for improvement can be spotted. Sometimes I even do variations in Photoshop before altering the painting.

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Wales, Newport, watercolour, watercolor, painting

Here is a picture that went unusually smoothly. Mind you a subject I have painted many times. It was fun to finish the snowy road at the end leaving only the side lit bits in the white of the paper. There is almost nothing to the road but it is a satisfying trick.

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Cannon St, London, Oil, plein air, painting, street, pedestrians

I had intended to meet Brass Monkey folks a fair bit further west of here, but as my train came into Cannon St and the rain had relented for a moment I couldn’t resist doing this sketch which is a scene I am doing a larger studio picture of so this will be very useful. Usually I put the figures in later but the muse was with me and I and I dropped these folks in with with hardly a duff stroke… helps of course that city types all dress in dark tones which makes it easier to block in the shapes. For such complex structures as top right I usually just note the main perspective lines then finish it later there is no benefit in putting such elements in on site as it is simple but consumes time that would be better spent on other areas. Click for larger.

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London, british museum, steps, watercolour, watercolor, painting, plein air

On my way west I passed the British Museum and couldn’t resist sketching the people dwarfed by the huge columns. I might return to this as It has potential… on a sunnier day though. It started raining heavily before I had all the lines in the columns done.

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Rain, street, Charing cross, London, plein air, oil, pochade, painting

The rain had really started to get heavy so I abandoned the idea of meeting others and set off down Charing cross. I went in to a bookshop to browse and when I came out it was into a different day! The sky had cleared and the sky was lit up pink, with the wet roads the whole effect was stunning. I decided to try and get something down holding my pochade, setting up my tripod would have been impossible in such a busy spot. So I put my back to a post and transferred all the tubes of paint to my pockets and set to using the colours from earlier with the addition of Magenta. This is tiny only 7 in by 5 in but was very satisfying and I will try and get a larger studio painting done using this and the snaps I took.

That’s all for now I have some commercial work in the next week or two so painting time may well be a bit restricted.

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