![\"Thames,](\"http:\/\/www.treeshark.com\/BlogPosts\/Water\/Water86L.jpg\" "\\"Gillingham")
<\/a><\/p>\nThis visit was to Gillingham pier which was unfortunately in the grip of “redevelopment” which means getting rid of all the evocative clutter and building\u00a0eye-wateringly \u00a0ugly apartment blocks. We turned our backs to these horrors and painted the last remaining old bit, soon to be swept away no doubt.\u00a0The light was very flat but the shapes of the jetties were fun to unravel and I tried my best to not get too fiddly.<\/p>\n
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Out of order here but never mind. I went a bit further east first thing and painted along what they call the Saxon Shore, Chatham can be seen in the\u00a0distance. Beautifully quiet with only an occasional dog walker and birdwatcher. I find in very relaxing to paint in the early light, there is a softness\u00a0and subtlety to the colours that is hard but fun to try and catch.<\/p>\n .<\/p>\n After painting the pier in the first picture I set off to look for better subjects, so went east again. I sat and painted a barge as the tide went out but made\u00a0a complete pigs ear of it… later scraped off! I always feel if a painting goes awry it’s a good idea to do another immediately. So after wandering a little\u00a0disconsolately for a while I sat on a bench and painted this view over to the powerstation on Hoo Island. Once done I felt considerably more cheerful!<\/p>\n .<\/p>\n Off to France! After a ferry crossing we drove to Honfleur which has been painted by many artists before. Almost too “picture perfect” I struggled to find\u00a0a subject, but settled to do this as a “warm up” then I had lunch which was to be a very bad move…<\/p>\n .<\/p>\n As the light moved round I got out my oils and set about this. A very complicated subject that in a moment of bravado I decided to do without drawing out.\u00a0This isn’t really as hard as you might think, the key is to get your centre of interest placed just as you wish at the right scale. To achieve this I merely hold\u00a0my board up to the subject until it covers the width of the crop and mark a few key verticals, then do the same for the horizontals. Once this is done it is\u00a0quite straight forward to place everything. Once done we went to seek supper… but I began to feel distinctly odd and feared the worse, done for by a dodgey\u00a0“moule”on the first bloody day!<\/p>\n .<\/p>\n Not being able to face food I wandered the streets while everybody else ate. As I had my little watercolour sketch bag with me I did this to take my mind\u00a0off my queasy stomach. I was happier with this more ordinary subject than the “headline” scenes in the marina. Indeed after doing this I felt a good deal\u00a0better.<\/p>\n .<\/p>\n Back at the hotel I felt pretty grim and couldn’t sleep so I sat and did this wee oil out of the window. A handy spot to paint with the loo close by…\u00a0Later when travelling to Saumur this and another small oil slid out of their travelling box and formed a close association with a pair of my underpants,\u00a0so some repair was needed once home!<\/p>\n .<\/p>\n Felt a bit better and managed a bit of breakfast then went out and set about this, very nice light when I started which changed rapidly, but I got most of it\u00a0in. Michael Richardson passed by and told me I was finished and looking at it now he was right!<\/p>\n .<\/p>\n I stopped and did this quick scribble of the “famous” view, but decided not to paint it. Another mishap struck with the frames of my glasses snapping,\u00a0this required me to buy “le Super Glue” for a running repair… walked around slightly hunched after that waiting for the third disaster to strike…<\/p>\n .<\/p>\n By lunch time I was feeling odd again, I rather unwisely started this larger watercolour, I got most of it done bar the nearby boat when I had to dash back\u00a0to the\u00a0hotel…<\/p>\n .<\/p>\n Headed out again with my A4 watercolour pad but only had the energy to quickly note this down, I rather messed up the figures but as it was only\u00a020 minutes worth it caught most of what I wanted<\/p>\n .<\/p>\n Once again doomed to wander the streets at night while the others gorged themselves in fancy restaurants I set off to to beach nearby. Still felt pretty\u00a0rough but got this little oil done which cheered me up. This was the other victim of the great underpants disaster so it’s a bit more blurry than it started\u00a0out, which is on the whole an improvement… a variation on “Tonking”!<\/p>\n .<\/p>\n Heading back from the beach I stopped to do this, all in all being poisoned in Honfleur had led me to do more painting than I had expected, but\u00a0considerably\u00a0less eating alas. I didn’t really do this scene justice but I might do a studio painting later.<\/p>\n .<\/p>\n First day in Saumur on the Loire. I wandered about to get my bearings and just took my camera and wee sketch book. This doorway took my eye but was\u00a0fenced off with no way of painting properly so I drew it out quite carefully on the spot then retired a short way to add colour, not too difficult as there are so\u00a0few tones in it, even so it came out better than I expected. Having recovered from the “Moule of Death” I couldn’t wait for dinner so no more painting that day.<\/p>\n .<\/p>\n A larger watercolour of the Chateaux, not really happy with this, it needs to be a bit crisper and would have benefited with another half hour on the\u00a0drawing out, but it’s a lovely scene so I think I’ll give it a go in the studio. When I set up I was in the shadow of a large van which promptly drove off\u00a0leaving me in the direct sun, so the paint was drying almost as soon as it was applied.<\/p>\n .<\/p>\n Third day in Saumur. I had noticed when driving into the town that one of the streams of the Loire had almost dried up, so I set out to see if I could\u00a0get a view from the river bed. Fiercely hot but as the river was mostly dry I could paint from under one of the arches of the bridge. That and a breeze up\u00a0the river made it one of the more comfortable places to paint from! The colours were gorgeous and I enjoyed painting this immensely.<\/p>\n .<\/p>\n An early start here, up at 5.30, I must be mad! But the dawn was beautiful. John Killens and I wandered about on the dry river bed looking\u00a0for a subject,\u00a0but one painter looking for a subject is bad enough but two painters trying to settle on a scene can take forever! So I wandered back to shore\u00a0and set up to\u00a0paint\u00a0as the sun came up. As I drew this out the sun rose and lit up the church. The composition needs\u00a0something to stop it zipping off to the right so I might\u00a0add a cyclist, I am always a bit cautious about additions like that so I will leave it a few days to\u00a0consider.<\/p>\n .<\/p>\n The same church but about 10am next day. A bit rushed but it will make a good basis for another painting as I love the scene.<\/p>\n .<\/p>\n A trip out to Chinon, a blindingly hot day so I chose subjects I could paint from the shade. The river is especially lovely here. I only took my small sketch\u00a0book so these are only 7in by 5 in but I find that a good size if I wish to do quick studies.<\/p>\n .<\/p>\n As the day went on it grew progressively duller building up to a thunderstorm, so I painted this as it looked beautiful in the diffuse light. It needs a few\u00a0figures perhaps, but I probably won’t bother.<\/p>\n .<\/p>\n After the storm the light was fantastic and it was frustrating to be in the coach and not be able to paint! So as we entered Saumur a few of us abandoned\u00a0ship to try and catch the last of the light. I only had 20min to do this but it catches a little bit of the feeling of the scene. I resolved to come out a bit better\u00a0prepared and do an oil next evening.<\/p>\n .<\/p>\n I was meant to be taking the day off painting but I had this already sketched so i returned and added colour.<\/p>\n .<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/p>\n<\/a><\/p>\n<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/p>\n<\/a><\/p>\n<\/p>\n<\/a><\/p>\n<\/p>\n<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n