Rob Adams a Painter's Blog painter's progress

January 8, 2012

A Wet and Windy Yule

Filed under: Ireland,Painting,Wales,Watercolour — Rob Adams @ 6:03 pm

For many years I have visited old (and patient) friends at Christmas who live in an iron age roundhouse in the Burren in the far West of County Clare. The landscape is bleak and beautiful in the winter months but very hard to paint. Last year was all frosts and cold, but this one was all wind and rain. Either of these are possible to paint in but both at the same time are more or less impossible. The best I have managed for the most part is to paint a sketch from the car with the windscreen wipers going. The oils were all rained off half done, so this post is watercolours. Only a few got finished wholly on site, the humidity making drying a bit of a trial. On a couple I was driven to putting the car heater and fan on full blast in order to dry my initial washes. Those are the downsides, but the upside is that the dramatic storms brought some wonderful moments where cloud sun and landscape all contrived to put on a show. These fleeting subjects are almost impossible to paint plein air so photos are needed for reference, though I try to paint from them very soon after taking the picture, somehow unless the photo is very good the essence gets forgotten. The first few are from Wales where I stayed on my way over to Ireland. Some pictures can as usual be clicked for a larger image.

 

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Watercolour, Wales, Newport, sea, painting, Rob Adams

 This is Newport Pembrokeshire which has a wonderful long beach with this rocky area ti the northern end. It was very windy with the light going over when I took the reference photo for this. I reduced my palette to only three colours for this to enhance the silvery mood, Ultramarine, Quinacridone Gold and Venetian red to darken the Ultramarine to grey. 14in by 11in.

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Pembrokeshire, Wales, Watercolour, painting, Rob Adams

A small 7in by 5in sketch. This is Strumble Head near Fishguard. The lighthouse nearby looked fantastic but no chance of painting it as the wind was really wild. This was done from a sheltered bit down the cliff. At least the wind was doing a good job of drying for me. Looking at this compared to the oils in my last post I can’t help feeling that my watercolours are still a way ahead of my oils, in catching the mood of the sea at any rate.

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Newport, Pembrokeshire, Wales, Rob Adams, watercolour, painting, plein air

Another small 7in by 5in, my small sketch book was the easiest to use as the wind was still a bit frisky! This is a view that I have painted many times but I never mind that, the light always brings a new mood. Only three colours again, Naples Yellow, Venetian Red and Ultramarine.

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Pembrokeshire, wales, watercolour, painting, Plein air, Rob Adams

This is Cwm yr Eglwys on the North side of Dinas head. The south side of the head was blowing a gale but oddly here on the North it was still and I could sit and paint without holding on to everything for dear life. 7in by 5in again.

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Pembrokeshire, Wales, watercolour, painting, plein air, Rob Adams

This is Ceibwr Bay, the wind was so fierce I had to paint from the car, which in turn had to be positioned in a precarious and probably illegal position. The light was superb raking over the cliffs from inland. In my middling sketch book which is 9in by 7in.

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Nore, Inistioge, Kilkenny, Ireland, Watercolour, Painting, Rob Adams

A bridge over the river Nore near Inistioge in Kilkenny. After a night crossing I slept for a while in the car and this was my morning view. This area is criss crossed with beautiful rivers and very rich in subjects. I must make a longer visit sometime in the near future. From photo ref 14in by 11in.

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Clara Castle, Kilkenny, watercolour, painting, Rob Adams, Ireland

I think this castle is called Foulksrath Castle, often when I take photos I have an idea which are possible paintings but in the event it is often other quick snaps that take the eye when going through them later. In Kilkenny I think, 14in by 11in.

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Burren, County Clare, Ireland, watercolour, plein air, Rob Adams

A moment of dry allowed me to get out. These are so called erratic boulders in the Burren. I have painted these almost every visit for 20 odd years! 9in by 7in.

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Dysert, Clare, Ireland, Watercolour, plein air, Rob Adams

Dysert O’Dea castle. Another brief remission in the rain allowed me to sit and paint this. It took nearly 2 hrs due to drying time. 9in by 7in.

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Finvarra, Galway, Ireland, watercolour, Rob Adams, Painting

A causeway near Finvarra. I sketched this out from my car window then painted it in the warm and dry! 9in by 7in.

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Galway, watercolour, painting, Rob Adams, ireland

Dramatic light in Galway City, I had to take shelter a few minutes after snapping the photo for this! 7in by 5in.

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ireland, Clare, watercolour, Painting, Rob Adams

East Clare track. In the east the ground turns to clay and sandstone giving a different character to the landscape. Done from a photo on a very wet

afternoon! 14in by 11in.

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Clare, Burren, watercolour, painting, Rob Adams

In contrast here is a road in the west on the limestone. Another wet day’s entertainment… 14in by 11in.

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Sea storm, Black head, clare, watercolour, Rob Adams

This is Black Head on the edge of the Burren. No chance of plein air… I could barely stand up and my new hat, given for Christmas, was whisked off my head and blown out to sea! I would have liked to stay longer and taken more photos but it was just too uncomfortable. 14in by 11in.

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Burren, Clare, Ireland, watercolour, Rob Adams

Another “out of the car window” job. Even so I had to do a fair bit afterwards. This a very typical road in the less rocky bits of the Burren. 9in by 7in.

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East Clare, Lough Derg, watercolour, plein air, Rob Adams, ireland

This is Mountshannon on the shores of Lough Derg. Painted with the windscreen washers going to clear the constant drizzle 7in by 5in. That’s all for now there are a few oils in varying states of rainedoffness to come but despite the poor weather I am quite pleased at the results. It just goes to show there is no bad weather for painting and though unpleasant it brings moods that are worth attempting to capture.

December 17, 2011

Stormy Seas in Pembrokeshire and Sun on the Thames

Filed under: London,Painting,Wales — Rob Adams @ 6:34 pm

Longer than I would like between posts this time. Getting all my commercial responsibilities finished and preparing to go off for Christmas was made all the harder by a bout of the flu that put me on my back for 7 days… Before I was struck down I went off painting by the Thames on a beautiful day with the Brass Monkeys. River compositions are always tricky, there is a built in one sidedness caused by painting from the river bank. I also had to produce my yearly Christmas card which I usually do in Photoshop. Traditional media artists often react with a shudder to computer based painting, but over the years it has become second nature to me. I did my first digital illustration work in 1990 with Fractal Designs Painter program so that’s twenty odd years ago. I soon realised it was just another media the same as any other, but very suited to illustration as the inevitable amendments required by clients are easily done. I still recall having to repaint jobs several times from scratch in order to incorporate requested changes… often for no extra fee.

I am typing this while in Newport Pembrokeshire where I have been treated to some gorgeous light and dramatic seas. I have been wanting to paint some stormy seas for years, but have been cursed on every coastal visit for about 7 years with lovely sunshine and smooth seas! This time however I have struck lucky, a major storm had hit a day or two before my arrival and the sea was at it’s best. An added bonus has been that the light has been fantastic with everything from bright sunshine to looming clouds but no real rain. That’s all the good news… the downside was that the winds were still gale force and the wildly gusting wind wickedly cold. All in all very frustrating, wonderful subjects every way I looked, but impossible to paint them. I did set up on the coast path cunningly weaving the legs of my tripod through a handy wire fence. Though hard to stand upright it seemed possible so I squeezed a line of white out on to my palette, bent down palette in one hand to add some blue only to find when I stood up that the white had gone… blown clean off the palette! I was forced to only paint what I could see from sheltered spots… still I have some great reference photos which will make some dramatic studio pictures once home.

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Christmas card, digital, rob adams, photoshop

Here’s Seasonal greetings to any readers… my site stats say there are, but sometimes blogging seems like talking to the void! Still I have found keeping a journal in this way has inspired me to do a fair bit more painting than I might otherwise have done and trying to put my thoughts down has required me to think them through properly, which has done me no harm at all.

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London, Deptford, Fog, oil painting, plein air, Rob Adams

Fog nowadays is quite rare in London, so when I got up and found everything shrouded I decided to have a stab at painting it. This is literally outside my door so it was quick to set up. I decided everything had to based around making the rear lights of the car sing out. To this end I mixed most of the tones for this before painting much. I put a blob of the red on the palette and set the base tone of the murk against it so as to be sure it would contrast enough. The foggy stuff had to be a fair bit darker that I would have expected. People sometimes talk about getting a tone accurate, but in reality that is a wild goose chase. What you actually are doing is getting your range of tones in an arrangement that is “relatively” accurate.

So for example I might start mixing by finding the lightest and darkest tone I am going to have in my picture. Once these extremes are fixed then a middle tone can be identified and so forth. Getting a tone accurate is impossible because real values are unavailable in paint. This brings with it all sorts of creative possibilities. I could have painted this picture with a narrower range of light to dark and providing my mid tone was placed in the centre of my new lightest and darkest and the other tones in their relative positions in relation to each the painting would still read perfectly well. Indeed I think I used too wider range here and limiting it more might have been better. 14in by 10 in.

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Albert Bridge, Thames, London, Oil painting, Plein air, Rob Adams

A day out with the Brass Monkeys. this is Albert bridge which has been covered up with scaffolding for ages. Some tricky drawing here and I was very much trying to simplify but still catch the delicacy and detail of the bridge. With this sort of subject it is easy to get carried away with all the structure. 14in by 10in

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Lots Rd, Thames, Chelsea, Brass Monkeys, London, oil painting, plein air, Rob Adams

Second one of the day, I almost despaired of this one several times while painting. The light was racing away and I had to paint as fast as I could. It came out better than I expected, I at least caught the colours and richness of the fading light. 14in by 10in

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Wales, Newport, Pembrokeshire, oil painting, plein air, Rob adams, sea, beach

Here we are in Newport Pembrokeshire. When I arrived the wind was not too bad and by hanging a shopping bag loaded with wet beach sand my tripod was stable enough to paint. The sky was so beautiful I had to make it the star of the show. In order to get the reflection working I put a dull grey wash over the beach area and put in the reflections at the same time as the sky. The darker wet paint in the lower part then mixed as the sky tones were applied giving the reflection that subdued look relative to the sky. 14in by 10in

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Sea, waves, wales, pembrokeshire, oil painting, plein air, Rob Adams

This is the first painting done from my sheltered spot down the cliff. A little bit precarious, I had to do it sitting on the ground with my pochade on my knees. I think I got a bit more detailed than I usually do because I couldn’t do any stepping back. But no matter the surging water was great fun to paint. Once this was done, I was at a bit of a loss so I did another smaller one from the same spot. 14in by 10in.

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Wales, sea, cliffs, surf, storm, Pembrokeshire, oil Painting, plein air, Rob Adams

I decided to do a smaller study, this is 10in by 7in. I did the surf by just sitting and watching the patterns for a while and just dotting in shapes I liked when they occurred. Once the basic flow is there then the internal detail doesn’t really matter. I deliberately mixed a little Naples Yellow with my Titanium White on these so that I was sure of having one step of extra brightness for a the very last touches. It is very tempting to go in with a full white but it is really best I find to keep it in reserve for the very last bits of what is sometimes called “Jewellery”.

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Wales, Pembrokeshire, sea, cliffs, oil painting, plein air, Rob Adams

Last one for now 14in by 10in. Not quite so sheltered here… so I struggled a bit trying to hang on to everything. The Pembrokeshire coast is fantastic for painting so I have no complaints. There are watercolours to come but they will have to wait until I am home and can scan them. I am off to Ireland next so hopefully more paintings will result… but what with Christmas and the company of old friends, and plenty of food and drink that is not certain! The weather forecast is for rain followed by more rain so it’s just as well I have a big tube of Paynes Grey with me.

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