Rob Adams a Painter's Blog painter's progress

March 12, 2022

A Touch of the Pandemics

Filed under: Uncategorized — Rob Adams @ 1:21 pm

Just as life was settling down to a pleasant routine of painting, playing music, life drawing and regular calorific meals bolstered by alcohol this had to happen. I live alone and have a slight hermit tendency but total isolation was a bit of a shock. I have always considered myself minimally social, but once actual isolation raised its head I realised that this was not quite true. So could I paint my way through the pandemic? I could give it a go.

Staying home safely away from horribly contagious fellow humans rather reduced the possibilities. Oddly I had never painted my own home despite it being very convenient with coffee making facilities, a handy loo, a fridge with cold beer and a nice comfy sofa for when the stresses of creation grew too much to bear. I set to and painted this to cover the conveniences, there are the paintings, the music, the walking boots, the lure of the garden and the door behind which the handy loo resides. I left out the beer. 16in by 12in.

Springtime. There is an old window with old glass in my old house, so the old man painted it. I don’t often paint flowers, or still lives. Still lives… I have always avoided them but I could see the time had come when I had to bite the bullet. I could convince myself that this one was “all about the light” thus not a proper still life at all. No grapes for a start, everyone knows a still life need fruit and crockery… glass too, just to show how dashed clever you are with the reflections and transparency. 12in sq.

To do a proper still life you have to do a bit of preparation. For a start you need to get your subject decently lit. This means removing all the light then letting it back in bit by bit. Plenty of time so I made myself a black box with sliding sides. Now I could control the light. Bits of shaped white card dropped in to reflect in those shiny surfaces. Fiddle, fiddle to get those shadows falling nicely. What a faff, it takes longer to set up than to paint the damn thing! 10in sq.

I am always vaguely pleased to wake up not dead so I thought I would paint the old window again. Like life it’s just there in the morning and I enjoy the way the sun pours through the wobbly glass. Somehow nicer than the staged still lives, a genuine slice of my world. Old still lives were designed to show how jolly rich you were. Paintings full of food. Paintings full of valuable bits and bobs. Paintings to depress your poorer friends. 12in sq.

We are allowed to go for walks, at first just walks no painting as that makes you especially contagious. Fishing folk have influence in high places and got a special dispensation to sit by themselves outdoors for long periods in order to avoid their families and annoy the fish. I thus felt justified in painting the river. I got told off by a lady who walked several hundred yards to get near enough to castigate me for my selfishness and anti social behaviour. 16in by 12in.

I don’t get this still life thing, but I’d made the bloody box. Not sure how to choose the items, are there rules? Should it be thematic? Is colour harmony the thing? A mystery to me. 10in sq.

No life drawing, I very much missed my life drawing. The only human available is me. Here I am peering down at my laptop taking in the morning news. One morning I was doing just that when the battery ran out and the screen went black. There I was reflected in the black glass with an “Oh shit I’m going to die.” expression on my face. Once plugged back in and my access to the universe daft opinions restored I recreated the moment and snapped it on the web cam.

I had been following with interest the development of the Corona Virus’ image. It had over time developed into a red ball covered with matching red sink plungers. Some news outlets bucked the trend and went for blue others for virulent green. Later on when the variants of concern appeared it went through a phase of a purple ball with red sink plungers. I decided to frame the selfie with viruses but went for the electron microscope version with a hint of sink plunger for good measure. Middle image is 10in sq.

The all important online feedback for the previous selfie wasn’t good… to depressing and the viruses were too decorative and not sufficiently threatening. I took this to mean that underplaying the sink plungers had been an aesthetic error. Oh well. Now a jolly self portrait that was a challenge. I set the mirror up and smirked at it in various ways. Hard to look jolly to order, even harder to look jolly for a couple of hours straight, especially with the plague closing in. I also came to the conclusion that in everyday life when I actually was feeling jolly I tended to look supercilious instead. Much better feedback for this one, a painting of someone pretending to look uplifted was uplifting it would seem. 8in by 10in.

Selfies are much more fun than still lives… The black box is taken apart and relegated to a high shelf where it will be found by the house clearance people after I decease from the dread disease. Here I was setting up a mirror for a selfie and saw myself reflected in my big mirror. The mirror that shows my face is the one in which I get the side on image of me painting. 8in by 10in.

I decide to do one of those proper “I am a Serious Artist” self portraits. Every artist should do one of these as they are handy for the author of your big hard cover Thames and Hudson book that will almost certainly be published after you are cruelly cut down by the virus in your prime. At the very least it might appear in the brief obituary published in the Blackmoor Vale magazine. 16in by 20in.

I love my garden, here it is ready for planting, my house in the distance. This is the view from my studio when I have the doors wide open. Not having access to geraniums for the pots I grow dwarf beans in them instead. 10in sq.

Having done one down the garden it seemed only proper to do on looking up too. 12in by 10in.

That’s the first bit of the pandemic dealt with. The world has taken on a surreal flavour, I don’t speak to another human being for weeks on end. I watch half the world go slowly mad with trying to pretend that reality isn’t real, but invented by malicious child eating tycoons. I look at graphs of people dying in droves. I make masked commando raids on the supermarkets at ungodly hours, only to find them full of other nervous grocery commandos with the same idea. I dream at night of unlimited supplies of Andrex.

March 11, 2022

New places, same me.

Filed under: Cornwall,Devon,Dorset,London,Painting,Portraits,Thames,Uncategorized — Tags: , , , , , — Rob Adams @ 2:05 pm

I stopped this blog a few years ago as I had got well settled in Dorset and was too caught up with a new places, new people, music, painting an unfamiliar place and the general blizzard of life. I was also short of new takes on old topics and felt I was rehashing previous posts. As I age I have more difficulty being certain of my own position on any subject, which doesn’t help with creating posts. It is perhaps bad to be dogmatic, but worse to have opinions that are so vague and nebulous as to be similar to having no opinion at all.

I had left London just as I was making headway with getting known. I was regularly in the exhibitions of the various societies and a Member of the Wapping Group. I met with others to paint most weeks. I was having fun and actually making a living at this strange occupation called painting. I threw all that away and moved to Dorset. From and urban first floor flat in Deptford to a 17th century cottage in Dorset. I still don’t quite know why, some part of me came to a turning in the road looked down it and thought, why not?

Age is one aspect, it changes the focus of your ambition. As a young or middle aged person you look at the future and wonder where you might journey. What you might achieve in the eye of the world, in other words success. This inevitably looses appeal as the future gets smaller. As Woody Allen said, “I don’t want to be immortal through my work, I want to be immortal by not dying.” When it comes down to it I have no interest as to whether my work is remembered or dumped in a skip when they clear my house.

This might sound a little depressing, but in reality it is rather liberating. All that wanting to be noticed and recognised is just a distraction really. With that mostly gone as a driving force I find I still paint just as much. Long term ambitions are replaced by short term ones, just to know whether the current painting flies or dies. The other thing that never palls is craft. How can I do this thing called painting better, differently or more subtly? How can I dance the line between what is being painted and how it is painted in a more elegant or appropriate manner?

I re-read the paragraph above and might also suggest an opposing view. Ambition is gone but what remains is mere habit. After a long lifetime doing nothing outside the visual arts I don’t know of any other way of filling my days. The hours are there and painting is a way of filling them, a pleasant distraction. In other words therapy, a way of staying sane. I find I can hold both of these views at the same time. As to which is more true and valid I have not the faintest idea or any wish to know.

Another thing that was perhaps to blame for squeezing out the blogging was music. To my surprise the music scene in Dorset is very vibrant, so music fills an ever greater part of my days. As with painting the only ways to get better are practice and refining your understanding. Music has always been a contrasting and perhaps balancing interest for me. With painting the results of your labours pile up and clutter the walls and the attic. With music the notes hang in the air for a moment and are gone.

Which brings me neatly to the purpose of this blog. It’s original intent was just to map my progress as I moved from being a commercial artist to one who painted pictures to frame and hang on the wall. From theme parks to decor. As I went along it mutated into a one person forum to help me understand what the hell this business I was engaged in actually was and how that might contrast with how I and others wanted it to be seen. That the blog became popular and others enjoyed my rather random thoughts was a complete surprise.

Over the years blogging has become supplanted by social media. Many artists now in reality paint just for their Instagram account. Is the final result of your labours a painting for someone’s wall, or a generator of likes? I understand the process, getting likes and followers gives that delicious hit of serotonin that we all love. Social media is cruel though, it moves relentlessly into the future, it leaves a trail of images that nobody ever looks at. You have to feed the monster regularly or you will be quickly forgotten. It is at root entertainment, but when everyone is an entertainer where is the audience to come from?

I look at my own account. My followers are painters… and those I in turn follow… painters too. It is not a comfortable thought, but the word ‘incestuous’ springs to mind. The other thought that emerges is that other painters are perhaps not my ideal audience. It is lovely to be appreciated by your peers and I consider their opinions on my efforts more seriously than those from others. They however are mostly not the people who are going to hang my product on their walls. I have done open studios with Dorset Arts Weeks for a few years now and those who buy my pictures are for the most part not artists, maybe they buy them because they don’t know any better.

So some pictures. What have I been up to in these intervening years? Far too many to post so I have decided on quick scoot through the missing 3 years. The last bit of 2019 before the world ended here we go.

The nearby Piddle valley has several interesting villages strung out along it. This one is about as big as I get en plein air, 24in by 12in.

Why do I paint self portraits? I have not the faintest idea. I like them done by others, I could type some guff about honesty and inner life. Are they a glimpse into the inner workings of the artist or just a painting of an old bloke on an aluminium chair? Your choice.

Sometimes I rest my camera on the dash and leave it filming as I drive through Corfe. The castle does a great reveal as you approach. 16in by 12in. I thought this one would sell but it didn’t… another one for the attic.

My last visit to Richmond, hardly been back since. I miss the Thames and the life along it. 10in by 8in.

Combe Martin. I bought a huge MPV that is half turned into a camper. This was one of my early expeditions to Devon. I started this in a patch of shadow standing in a rock pool… the sun came round and I proceeded to bake. Odd how paintings carry the memory of the day they were painted. I look at this and I can even remember the vile coffee I had at the cafe. Not in the attic, sold this one… I actually sold most pictures painted on this trip which means I should go back maybe. 14in by 10in.

You never know when you will paint a good one. It is a rare thing for me to like one of my own paintings. This was done in a rush on Bridport’s market day. I had no sooner set up than someone started to set up a stall almost on my toes. I was going to finish it off but it looked like just enough next day so I left it. Still in the attic so the buying public has different tastes to me. 16in by 8in.

Swanage, I love the old school seaside atmosphere of the place. Studio painting and on someone’s wall rather than in my attic. 20in by 16in.

More seaside, Weymouth this time. I love Dorset’s slightly faded seaside towns. In the attic this one but I still have hopes of getting it on someone’s wall. 12in sq.

I had a moment of pointillism with this one of Bath abbey. I am sorry and it won’t happen again. 16in by 12in.

A plein air sketch…

A studio version from the same day. You can now have a discussion as to the merits of each. Don’t do it in my hearing though as I don’t give a rat’s arse as to where or how a picture was painted.

Plein air, standing on a tiny ledge with the wind ripping at me and rain coming in horizontally. Guy ropes on the tripod and the painting rattling away making it hard to get the brush in the right spot.

Studio painting of same subject. Nice comfy studio, breaks for coffee. No rush an hour here and there, bit of a tune on the flute then back to it. 20in by 12in.

Last one before the pandemic hit. The Stour at White Mills. Mostly water the bit of land at the top is just a supporting actor. 12in sq.

That’s 2019 caught up with. Next we have the strange tale of what happens when you lock an old bloke into a cottage all by himself for a year or so.

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