Rob Adams a Painter's Blog painter's progress

April 5, 2022

Back off I’m Boosted…

Filed under: Dorset,Painting,Portraits,Portraits — Tags: , , , , , — Rob Adams @ 3:10 pm

Here we go, three lots of vaccine now. I am very disappointed that the claims of it giving you internal 4g reception were unfounded. It now appears that most of the news, history and the bulk of human knowledge was also all completely unfounded. It was all made up by child eating lizards apparently. One certainty is that painting is really, really hard, especially when you are out trying to paint it when the wind blowing a gale.

This is the track leading to the charmingly named Satan’s Square, probably where those child dining lizard people hung out in olden days. The sun burnt a hole in my retinas… or would have if I hadn’t worn my trusty cap. 16in by 10in Oils,

Here’s all the snow we got, it arrived after Christmas had come and gone. You can now find out if you are virus ridden with a lateral flow test… then you have to hide for 10 days in a plastic bag. I am obviously not meeting enough people as my tests remain stubbornly negative. 10in by 8in Oils.

Kimmeridge Bay, it was almost warm sitting in the sun. I seem to be painting thicker now, the change has come about slowly. I have started painting some skies by putting solid thick white on first and then mixing the colour on the board rather than the palette. This gives a brightness hard to get any other way. It is intriguing that a adding homeopathic amount of blue to the white still produces a satisfactory hue. 12in by 10in Oils

More damage to my retinas, this early in the year the light has a brilliance that is hard to catch. This is the Stour at Hanford. 14in by 6in Oils.

A frosty morning in Child Okeford. I took a photo of the frost on my way back from getting my paper and a pint of milk from the local shop. After coffee I went back to sketch it and it had all melted away. I consoled my self by painting the scene from the earlier photo. I did a lot of dragging the paint around with a rigger on this, it seemed the only way to suggest the texture without going overboard on the detail. 16in by 8in. Oils.

Over near Shillingstone, I love the moment when the new buds bring a blush of pink to the trees. From a photo done on a socially distanced walk. You don’t walk with someone, you just keep them in sight, if you want a chat you can use your phone. 16in by 12in Oils.

I decide to do some paintings of Swanage, I miss doing townscapes. Unfortunately no one wants townscapes of small seaside towns they want cities and proper grime. 16in by 12in Oils.

More Swanage, it has very grand bits of architecture that are from buildings demolished in London and taken to Dorset as ballast. 16in by 12in. Oils.

Yet more of down town Swanage. I shall have to give up and just paint the seashore bit of the town as no one will ever want these. 20in by 16in Oils.

Here we go this is the aspect of Swanage that is more likely to be a hit. I have been messing with painted frames and now lean towards framing the frame…

Another painted frame, not sure they will sell like this I really will have to frame the frame! Inner 12in Sq. Oils.

I am losing track of the waves of virus now, it is one after another… will the seventh be the largest like in the sea? We are all avoiding each other again so it is back the self portraits. Here I made the mistake of wearing a complex jumper… I won’t make that error again. Oils.

I decide to do a Memento Mori which is a very old fashioned type of picture from when people relished being told they were going to die.

More of myself… I hung this one in my loo. Here I have framed the frame… should I frame the framed frame? You never know it could make me framous.

The hair has grown again… time to chop it off. 14in by 10in Oils.

March 20, 2022

The Pandemic Drags on.

Filed under: Uncategorized — Rob Adams @ 7:04 pm

As a person of advanced years the pandemic was particularly irritating. I don’t have all that much life left and wasting three years hiding under the rug with a mask on was not on my agenda. Still mustn’t grumble, here I am whining about it so it could be worse. So summer was here and I was time for Dorset Arts Weeks, the last one had been cancelled due to art being the risk of a super spreader event so this was a sort of a bonus one for still being alive. I was a little nervous of having probably virus ridden strangers in my home but with alcohol loaded hand washing goop and other germ warfare gear I should be survive. Would anyone come and buy stuff? We had all been avoiding each other for so long we had forgotten how to socialise let alone randomly visit artist’s studios of dubious hygienic quality.

We were going out painting again. I hadn’t seen the sea for well almost a year. Chesil bank where it hits Portland a tiny little painting and I remember no concentrating properly as i was just enjoying the feeling of being out and about. 10in by 5in Oils.

A few days later at Osmington Mills. I just had to paint the surreal sight of all the cruise liners parked in Weymouth Bay. Some bits had to be invented as the pub had put up a vast marquee that filled the foreground. 36in by 12in. Oils.

Wareham I was still nervous of members of the public with their masks jauntily positioned well beneath their noses. Others walked the streets with fear in their eyes heavily masked and taking their shopping home to disinfect it with a flame thrower. I had got a bit rusty at this sort of scene and had a brief moment of panic. Town scenes are so complex you have to leave out a lot of clutter, the trick is to do undefined stuff that might be clutter if the artist had been better at painting. 14in by 10in. Oils.

More sea. Demonstrations were coming back too, this was for a group who were particularly elderly more than half were fast asleep by the time I had got this done. I did my best with jokes and chat, but obviously the experience was akin to those dreaded slide based lectures about art history. I have only given demos since moving to Dorset, I quite enjoy the process, there is always the possibility that you will do an epic fail in front of an audience which add a frisson of fear. 19in by 12in Oils.

More Wareham, the best views of the main street are from your car. It had a great variety of buildings and the Vikings deliberately laid it out at an angle where the street should be well lit for painters in the morning. 16in by 10in Oils.

Old Harry from Studland. Last one before the open studios. To my surprise lots of people turned up to do art appreciation, the weather was lovely, people actually bought stuff and I didn’t get infected despite some dubiously sneezing children. 12in by 16in Oils.

No rest for the pensionable… I had just started to receive the state pension. A bit surreal, the government takes money away from people who probably need it to give to a fairly well off artist in Dorset who doesn’t. Autumn is here and so is the threat of the Art Trail, another bijou open studio event to happen next year just in the village. More framing I never seem to have enough frames, a good sign I suppose as it means people are actually buying paintings. Bulbarrow in the background. 14in by 10in Oils.

The Stour at Hammoon, the river is getting full so floods are in the offing. I am determined to paint them this year. 14in by 10in Oils.

Floods! I had to take off my boots and wade through knee deep water to get in position to paint this. The artist suffering always improves a picture I think. 12in by 8in Oils.

More floods, Hanford this time. Boots off again and standing up to my shins in very cold water. I kept an eye out for otters they can be dangerous this time of year. 10in by 8in.

That is 2021 almost dealt with. One more and we will be back to real time.

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